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@Image1 — exact face, hairstyle, skin tone and body proportions. Identity locked, no beautifying, no restyling of facial features. The hair is pulled back with a little volume and strands falling around the face. Outfit: black floor-length gown with thin halter spaghetti straps crossing at the neck, a deep plunging neckline with an abstract flame-like cutout below the bust revealing bare skin at the midriff, fitted through the body with subtle side ruching at the hip, flowing into a floor-length mermaid-style skirt. Open-toe black heeled sandals visible at the hem.
**Core scene**
A surveillance-style video shot inside an elevator, moderately dynamic. The character from @Image1 stands in the elevator wearing the black cutout gown and open-toe heels, as if returning home from a party but now running late — visibly anxious and impatient waiting for the elevator to reach her floor. She holds a cigarette near her mouth, smoking it only in wider framing where the camera watches her from a distance — never in close-up except for the ashing shot. Over the course of the clip she shifts through a few deliberate poses and movements — weight resting on one hip, a burst of quick sharp heel strikes, leaning back against the wall with arms crossed and a sigh, bracing one arm against the wall while she waits, then standing upright smoking as she waits. In the final beat the elevator arrives, the doors open, and she exits. The camera itself provides most of the visual movement, alternating between wide framing, a close-up on her shoe, and close-up pushes on her face and the cigarette.
**Global setup / style**
Photorealistic low-quality CCTV/security-camera look, camera mounted above and to the side of her — an angled overhead-corner view, not a straight-on or fisheye lens; mild natural wide-angle perspective only, no distortion curve. Heavier grain and visible compression artifacts than a typical clean shot, occasional signal noise — faint scan lines, brief pixelation blocks, subtle color banding — timestamp burned into the corner of the frame ticking forward. Colors muted and slightly cool, flat overhead lighting, no soft cinematic falloff. Camera position fixed with only zoom/framing changes, no handheld shake. 16:9, no music, ambient near-silence with faint mechanical elevator hum and an occasional soft floor-chime.
**Timeline**
0:00–0:02 — Wide static shot from above-side angle. She stands with weight resting on one hip, holding a cigarette near her mouth with one hand but not smoking it (visible only in this wide framing), looking into the lens, foot planted in place.
0:00–0:02 — A long, static shot from above, from the side. She stands, leaning on her hip, holding a cigarette to her mouth with one hand, but not smoking (visible only in this wide shot), looking into the camera, her foot still.
0:02–0:03 — A close-up of her shoe: the toe flicks sharply against the floor several times (as if she's nervous), then her foot immediately returns to its place. Exactly 1 second.
0:03–0:05 — The camera zooms in to a close-up of her face; she holds the cigarette to her mouth with her hand and takes a drag—it's still there, her expression is slightly nervous, she's late.
0:05–0:06 — A close-up of the cigarette as she flicks the ash, lit by a flat overhead light.
0:06–0:06.5 — The camera pulls back to reveal a wide shot; She leans against the elevator wall, the cigarette still at her lips, her arms crossed over her chest, she sighs, and looks away.
0:06.5–0:07 — Same long shot, now in a different pose: one hand rests against the elevator wall, she stands and waits, her entire demeanor indicating she's in a hurry.
0:07–0:08 — Same long shot, different pose: she stands upright, brings the cigarette to her mouth with one hand, and smokes, stands and waits, her entire demeanor indicating she's in a hurry.
0:08–0:09 — Long shot: the elevator arrives, the doors open, and she steps out.
**Sound**
Near silence — only <faint elevator hum>, <soft mechanical cable creak>, <a quick burst of sharp heel-strike sounds during the shoe close-up>, <a soft sigh>, <the elevator door chime and opening sound at the end>. No music, no dialogue, no voiceover.
**Physics/continuity lock**
Camera stays fixed in its above-side mounted position; framing changes come from zoom and cuts only. She stays in the same general spot inside the elevator throughout — the heel strikes are contained taps in place, not steps — until the final beat, where she is permitted to walk out once the doors open. Cigarette smoking only happens in wide/distant framing or the dedicated close-ups scripted above, never as an unscripted close-up. Her appearance matches @Image1 exactly — same face, hair (voluminous, full at the roots, wavy), skin tone. No duplicated character, no logos, no watermarks beyond the timestamp, no extra people.
**Style lock**
Flat, voyeuristic surveillance-footage aesthetic, heavier signal noise than a typical clean feed — nothing cinematic or glamorous. The mood is anxious and hurried rather than bored: flat overhead-side lighting, visible compression artifacts, and her impatient poses combined with the camera's zoom carrying the visual interest, resolving with her stepping out as the doors open.