Пересъёмка портрета в стиле пляжного фото 1980-х на Бали.

Recreate the person in the attached reference photo as a 1980s photograph.

IDENTITY — highest priority
Their face must come out identical to the reference photo, one to one, as if the same person were photographed again on a different day. Copy, do not interpret or idealise: exact eye shape, colour, eyelids and spacing; exact brow shape and thickness; exact nose bridge, width and tip; exact lip shape and fullness; exact jawline, chin and cheekbones; exact face width and length; exact skin tone; exact facial hair if there is any. Keep every freckle, mole, scar and line exactly where it is, and keep their natural asymmetry. Keep them at exactly the age, build and gender presentation they have in the reference photo — do not make them more masculine or more feminine than they are.
Do not beautify, slim, smooth, symmetrise or youthen the face. Do not add or remove makeup. Do not blend them with a generic model face. Side by side with the reference it must be unmistakably the same person.

HAIR — full 1980s restyle
Keep their natural hair colour, hairline and hair type from the reference photo, but restyle the hair into a full 1980s look.
If their hair is long or medium: big blow-dried volume, a teased and lifted crown, soft permed waves through the lengths, a deep side parting with the front swept back and up, the ends dry and slightly frizzy.
If their hair is short: a fuller, higher, blow-dried top with feathered sides, a hard side parting, volume lifted off the forehead.
If their hair is curly or coily: shaped up and out into a rounded, generous period silhouette rather than flattened.
If they are bald or shaven: leave it exactly as it is and add no hair at all.
In every case the hair is voluminous, dry-textured and hairsprayed, never sleek, flat, wet-look or a modern cut. This restyles only the hair — it does not change the face, head shape, hairline position or hair colour, and it must never look like a wig or another person's hair.

THE PERSON
Standing full-length on sandy ground, facing camera, weight on one leg, one hand in a shorts pocket, the other arm loose at their side. Relaxed, a light closed-lip smile, looking into the lens.
An oversized 1980s nylon shell windbreaker worn open — colour-blocked panels in teal, violet and magenta, elasticated cuffs, slightly shiny fabric. Underneath, a plain white cotton top: a ribbed tank or a plain t-shirt, whichever suits the person. High-waisted acid-wash light blue denim shorts with a wide brown leather belt. White leather low-top sneakers, scuffed and worn in. White crew socks with red and blue stripes at the top. A woven striped shoulder bag on a long strap hanging at one hip.

SETTING
A sunlit beach shack in Bali. Sandy dirt ground underfoot. Behind them a hut with a thick thatched palm-leaf roof on bamboo posts, and a row of vintage longboards leaning against it in cream, red, orange and turquoise stripes. Tall palm trees rising behind. Mounted high on the right, a large glowing pink neon script sign reading "Bali 1980s" with a small neon heart beneath it. A weathered painted wooden sign reading BALI at the far left edge. A pale blue VW camper van parked at the right. At the left, a vintage silver boombox sitting on a low wooden stool draped with a striped woven blanket. Bright blue sky with a few soft clouds.

FRAMING
Full length, cut just below the feet, standing slightly left of centre with the setting open behind them. Eye-level camera a few metres away, no tilt. Their face is turned squarely to the lens and large enough in frame to read clearly.

LIGHT & FILM
Late afternoon tropical sun, warm golden light coming from behind and to one side, rim-lighting the hair, with a soft flare in the upper corner. Shot on 35mm colour film: warm saturated colours, gentle halation around the neon and the brightest highlights, fine visible grain, soft milky shadows, slight vignette. It must read as a real photograph taken in 1987, not a modern photo with a filter over it.

REALISM
Photoreal throughout — never a render, illustration, poster or obvious AI image. No waxy skin, airbrushing or beauty filter. Real skin texture with pores and fine detail.
They stand on the same ground in the same light as the scene, casting a warm shadow, at correct scale to the hut behind them.
Correct anatomy: five fingers on every hand, correct thumbs, both feet on the ground.
Clothing has real fabric weight — nylon sheen and creases on the windbreaker, stiff faded denim, worn canvas and leather on the shoes.

NEGATIVE
No on-screen text, captions, watermarks, timestamps, borders or app interface. Nobody else in frame. No duplicated figures, extra limbs or hands, merged bodies or distorted faces. No modern clothing, phones, smartwatches or modern cars. No wigs, no changed hair colour, no changed gender. No plastic skin, no HDR halos, no heavy grade, no portrait-mode bokeh. Not black and white.