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Фанатское фото с дрифт-гонки: трое у ограждения трассы.

Фанатское фото с дрифт-гонки: трое у ограждения трассы.

Nano Banana Proизображение

Что приложить

  1. @Image1 = фото лица (портрет). Лучше загружать коллаж лица с разных ракурсов — так генерация чётче, для сборки есть отдельный шаблон.

Промт

Открыть промт целиком · 4 978 символов
Identity lock — highest priority
@Image1 is a photograph of the woman in the centre of this image. Her face must come out identical to it, one to one, as if the same person were photographed again a minute later. Copy, do not interpret or idealise: exact eye shape, colour, eyelids and spacing; exact brow shape, thickness and height; exact nose bridge, width, tip and nostrils; exact lip shape and thickness; exact jawline, chin and cheekbones; exact face width and length; exact hairline; exact skin tone. Keep every mark where it is — freckles, moles, scars, lines — and keep her natural asymmetry. Same age as in the photograph.
Do not beautify, slim, smooth, symmetrise or youthen the face, and do not add or remove makeup. Do not blend her with a generic model or average pretty face. Side by side with @Image1 it must be unmistakably the same person.
Her hair also comes from @Image1: same length, cut, parting, colour and texture, worn the same way.
Expression is the only difference from the photograph: a light, easy, closed-lip smile — relaxed, not grinning, no open mouth, no teeth. It lifts the mouth corners and cheeks slightly and changes nothing else. Eyes open, looking into the lens.
Take nothing else from @Image1 — not the clothing, background or pose. Head about 1/7-1/8 of body height.

Core image
A candid fan photo at an outdoor drift event. Three people stand in a row facing camera, full body, shoulder to shoulder, at a guardrail by the track. A real phone snapshot, not a studio shot.

LEFT — Han Lue from the Fast and Furious films. Calm Asian man, late thirties, straight black hair to his shoulders tucked behind one ear, light stubble, faint half-smile. Tan and cream leather racing jacket with red and cream chest stripes, blue jeans, brown boots. Leaning back on the barrier, an open orange foil bag of cheese puffs at his side.

CENTRE — the woman from @Image1, late twenties, standing straight and slightly forward of the two men, her face fully visible. Full red one-piece racing suit, long sleeves, zipped to the collarbone, white sponsor lettering across the chest, a small green and white chest patch, red belt with a white logo buckle, white lettering down one thigh, creased like real racewear. Chunky white leather sneakers with black panels. Arms loose, hands open.

RIGHT — Dominic Toretto from the Fast and Furious films. Heavily built bald man, fifties, thick neck and shoulders, faint stubble, neutral expression. Open grey short-sleeve mechanic's shirt over a white t-shirt, silver cross on a chain, olive cargo trousers, brown boots. Arms folded, square and still.

Composition
Full body, cut just below the feet, on grey paving slabs, centred with a little headroom. Eye-level camera a few metres away, no tilt. Her face is square to the lens and large enough to read clearly. Bodies not overlapping.

Background
Behind them a metal guardrail, then a broad grey asphalt paddock, busy and crowded. A dozen or more drift cars parked across it: wide-body Japanese coupes and saloons in bright liveries covered in sponsor decals and racing numbers, big rear wings, some with bonnets up. Among them a row of red canopy tents and many people — mechanics at the cars, drivers in racing suits, crew carrying wheels, photographers, marshals in high-vis vests, spectators. Stacks of tyres at the left edge. Behind the tents a grandstand packed with spectators. Behind everything a steep hillside of dark pine forest with a huge blue and white sign across it reading RAUBICHI in tall capitals, a blue logo mark to its left. A low white advertising board with Cyrillic script at the bottom of frame. Overcast white-grey sky.

Light & camera
Flat soft overcast daylight, no hard shadows, no flare, slightly cool white balance. Modern phone camera: the three people sharp, the far grandstand soft, light grain. Colours natural and muted. Her face is evenly lit and in focus, never shadowed or blurred.

Realism lock
Photoreal throughout, an ordinary snapshot from a real event — never a render, illustration, poster or obvious AI image. No waxy skin, airbrushing or beauty filter. Real skin texture on all three faces.
All three stand on the same ground in the same light, casting the same soft shadows, at consistent scale. Nobody pasted in or lit differently.
Five fingers on every hand, correct thumbs, both feet on the ground.
Exactly three people in the foreground; every background figure stays small and anonymous and every car stays behind the barrier.
Clothing has real fabric weight. Sponsor lettering and the sign are crisp; no melted letterforms, no gibberish text.

Negative
No sunglasses, glasses, visor, cap, helmet, mask or hair covering the woman's face. No wide grin, open-mouthed smile or laughing. No on-screen text, captions, watermarks or borders. No duplicated people, extra limbs or hands, merged bodies or distorted foreground faces. No motion blur, portrait-mode bokeh, heavy grade or vignette. Not black and white.

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