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Create an 8-second, 16:9 photorealistic cinematic sequence. The central effect is a precisely composed match cut between two butterfly wing markings and a woman's irises, concealed by darkness. It is NOT a butterfly flying into the lens and NOT a visible transformation.
REFERENCES
@image1: butterfly appearance and its existing wing pattern.
@image2: the dark red Chinese imperial palace corridor.
@image3: the woman's identity, hairstyle, makeup, jewelry, costume, AND the exact color of her eyes. Render one woman, not a character sheet.
Attached video: reference for the transition's visual continuity only. The explicit framing and action instructions below take priority.
IRIS COLOR AND MARKING SOURCE
Sample the woman's natural iris color directly from @image3 and use that single sampled color as the ONLY color of the two wing markings. Do not invent a color. Do not default to amber, gold, honey, copper, orange or yellow. If her eyes in @image3 are dark brown, the wing markings are dark brown. If they are any other color, the markings take that color instead. The markings, the shapes held in darkness, and her final irises are all the same color at every stage of the video.
The two markings are NOT painted-on circles added to the insect. They are part of the butterfly's own existing wing pattern from @image1, made of real wing scales, with soft irregular scale edges, slight natural asymmetry between left and right, and subtle wear. They are not perfect geometric discs. If @image1 has no distinct markings at the required positions, use the nearest existing dark areas of its natural pattern and deepen them very slightly instead of adding new shapes.
The markings are matte and darker than the surrounding wing, reading as pigment lit by the lanterns, never as light sources. Forbidden at all times: glow, bloom, halo, rim ring, concentric bullseye, bright white center, neon, emissive or pulsing markings, yellow or gold tint, sticker-like flat circles, and any second pair of eyes overlaid on the woman.
PLAN THE MATCH BEFORE THE ACTION
First establish the woman's final head-and-shoulders portrait composition. Her shoulders are turned approximately 30 degrees toward screen right. Her face is turned only slightly in that direction, with both eyes clearly visible, and her gaze returns toward the lens. Her chin is subtly raised. A delicate head tilt places her screen-right iris slightly higher than her screen-left iris.
Now compose the butterfly's final wing presentation to match that portrait: the centers of its two markings must already coincide with the woman's future iris centers. Match their spacing, apparent diameter, diagonal alignment, and shallow perspective BEFORE the blackout begins.
The butterfly must remain small enough to fit fully inside the image, approximately one third of the frame width, with ample corridor visible on every side. Adjust the portrait framing and butterfly presentation coherently in advance. Never solve the match by bringing the butterfly closer to the lens, moving the markings through darkness, or distorting the woman's anatomy.
0.0-3.0 SECONDS: APPROACH AND ALIGNMENT
A stationary camera looks down the palace corridor. The butterfly approaches from the distance, initially out of focus. During the second second, focus shifts onto it.
Its flight has small irregular rises, settling dips, sideways deviations, and corrective banking, naturally connected to its wingbeats. It must look like a lightweight living insect, not a rigid object sliding toward the viewer.
The forward approach slows and ends at a moderate distance from the camera. The butterfly never exceeds approximately 35% of the frame width.
Near 3.0 seconds, it makes a brief braking wingbeat and a subtle bank, presenting both patterned wing surfaces clearly at a shallow oblique angle. Its two markings reach the preplanned positions of the woman's irises. The slight diagonal and perspective correspond to her head angle.
Throughout this section the markings stay an unremarkable part of the wing pattern, in the color sampled from @image3, with no added contrast, outline or highlight that would announce them.
Trigger the blackout at this aligned instant. Do not continue flying toward the camera. Do not hold an unnaturally frozen butterfly in an illuminated shot.
3.0-3.2 SECONDS: REMOVE THE SURROUNDINGS
A short, subdued interruption of the lantern light takes the scene into complete black. The corridor, mist, body, and wing surfaces disappear. Only the two marking shapes remain faintly visible.
The wings do not cover the lens. There is no enlargement, camera movement, white flash, or bright strobe.
3.2-4.2 SECONDS: HOLD THE EXACT TWO MARKINGS
The image is pure black except for the same two dim shapes.
Their positions, visible diameter, center-to-center distance, diagonal alignment, and orientation are completely fixed. Treat this interval as holding the same registered pair of shapes in the image, not watching two objects moving through space.
No receding, shrinking, drifting, rotation, spreading apart, drawing together, or changing perspective. No face, eyelids, eye whites, wing outlines, or mist is visible.
They are the last remnant of reflected lantern light on two small patches of pigment, at the lowest visible luminance in the frame, and they emit no light of their own. They keep the color sampled from @image3, darkened and desaturated by the near-total darkness, with soft indistinct edges and no visible ring, no bright center and no halo. They are not glowing eyeballs.
Conceal the substitution of wing-scale texture with iris texture at this low visibility. Preserve the exact apparent boundaries, color and positions of the two shapes.
4.2-6.0 SECONDS: REVEAL THE ALREADY ALIGNED WOMAN
Restore warm lantern illumination, revealing the woman's face around those same stationary irises.
She is ALREADY at her final portrait scale, distance, head angle, and screen position before the light returns. She does not move into alignment. Her face does not approach from the background. The camera does not pull back from her eyes.
The two shapes are now her natural irises, in the same locations, at the same apparent size, and in exactly the same color they held in the darkness, which is the iris color of @image3. Nothing recolors during the reveal. Only the surrounding face becomes visible. There is no second pair of eyes appearing over them.
Her irises look like ordinary human eyes lit by lanterns: normal specular catchlight, visible pupil, natural eye whites and lashes, no glow, no saturation boost, no colored rim.
Maintain the planned three-quarter shoulder position, slight facial turn, delicate head tilt, raised chin, and direct gaze. She is calm, self-assured, and subtly aloof. Keep her head still during the reveal.
Use a clean illumination reveal, not a prolonged overlapping dissolve. No visible wings on her face, anatomical morphing, transparent butterfly, or glowing-eye effect. The butterfly is absent from this portrait.
6.0-8.0 SECONDS: STANDING WOMAN AND FINGER LANDING
Make one clean cut to a wider stationary shot. The woman is STANDING in the corridor, framed from above her hairstyle to just below her knees. Her knees are visible; her lower legs and feet are cropped out. No sitting, crouching, chair, or full-body framing.
Preserve her three-quarter orientation. Her left forearm is already partly raised at the cut. She completes a small, graceful lifting gesture, offering her relaxed index finger near upper-chest height on screen right.
The same butterfly enters from screen right, already close to her hand and naturally small relative to her fingers. Its wings carry the same ordinary pattern as in the opening, with the markings unemphasized, unlit and not glowing. Her eyes follow it, then her head turns smoothly toward it. Her expression remains composed and untroubled.
By approximately 7.2 seconds, the butterfly brakes, extends its legs, and lands on her index finger. Show clear contact between its feet and her skin. It stays perched through the final frame, gently opening and closing its wings. It does not fly past her hand or take off again.
Her hand settles naturally, with five correctly formed fingers. She watches the butterfly with quiet confidence. Subtle movement of silk sleeves and jewelry follows her gesture.
LOOK AND CONTINUITY
Rich but desaturated burgundy, crimson, dark wood, bronze, and muted gold. Warm flame-lit palace lanterns and oil lamps only. Real skin texture, delicate wing scales, detailed silk and embroidery, natural motion blur, and restrained cinematic grain.
Thin white mist drifts softly in illuminated shots and disappears completely during the black interval.
The defining visual rule: position the butterfly correctly BEFORE darkness, hold both markings perfectly unchanged THROUGH darkness, and reveal the woman already aligned AFTER darkness, with one single sampled eye color carried through all three stages.
No extra people, duplicate butterflies, extra eyes, malformed hands, text, logos, or watermarks.