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Photoreal, vertical 9:16, one unbroken 10-second shot. The camera sits low on wet asphalt in the middle of an empty city street between tall old buildings, looking straight down the centre line, overcast flat grey daylight. The camera never moves, pans or zooms.
The hero stands directly in front of the camera on the centre line, as near to the lens as it can be while still fitting in the shot whole. Its shoes are almost at the bottom edge of the frame, with only a narrow strip of wet asphalt between the soles and the bottom of the shot. Its body fills the lower half of the frame from the shoes up, with the head around the middle of the frame. The upper half of the frame holds the street running away, the buildings and the sky — that is where the giant comes in.
Two people are in the shot and both are the same person — same face and hair (@Image1): one at ordinary size, one as tall as the buildings. The giant wears the first outfit (@Image2) for the whole video.
@Image2 is the complete and only source of the hero's FIRST outfit. @Image3 is the complete and only source of the hero's SECOND outfit. Copy each one garment for garment, exactly as its image shows it, including footwear.
0-1.4s — The hero stands directly in front of the camera as described above, shoes near the bottom edge of the frame, body filling the lower half of the shot, facing the lens, wearing the first outfit (@Image2), clearly visible from the shoes to the head. Far up in the sky at the top right, a huge hand and forearm come over the rooftops and begin to descend.
1.4-3.4s — The giant version kneels behind the buildings on the right and leans out over the street. Its face enters the top right corner; below and right of it, its shoulder; from that shoulder one arm runs down into the frame with the elbow visible and bent, ending in the hand — fingers relaxed, nails a neat nude manicure — which comes down through the upper half of the frame — the empty half above the hero's head — towards the hero standing close to the lens below. Head, shoulder, elbow and hand stay connected in that order, with a full arm's length between the giant's face and its own hand at all times.
3.4-4.1s — Thumb and forefinger close gently around the hero's waist and lift it off the road, upright and undamaged. It still wears the first outfit.
4.1-5.2s — The giant carries it back and up towards its own eyes — the hand travels to the face, not the face to the hand. The figure looks tiny only because it is now far from the lens.
5.2-6.2s — The giant closes its hand completely around the figure, fingers folding over the palm into a loose fist, hiding it from view entirely. Nothing of the hero is visible. The fist is held still for a beat near the giant's face.
6.2-6.8s — The hand opens, fingers unrolling flat with the nude-manicured nails clearly in view. The hero is standing upright on the open palm, unhurt — and it is now wearing the second outfit (@Image3) instead of the first. Same person, same face, same hair, different clothes.
6.8-7.9s — The giant lowers it and sets it back on its feet on the same spot on the centre line it was picked up from, directly in front of the camera with its shoes once again near the bottom edge of the frame, then withdraws up out of the frame.
7.9-8.6s — The hero, back in the near foreground with its whole body in frame, looks down at itself, takes in the new clothes, brushes the fabric once with one hand, then looks up into the lens.
8.6-10s — Locked closing hold. The hero stands still directly in front of the camera, facing the lens, framed exactly as it was in the opening seconds: shoes near the bottom edge with only a narrow strip of asphalt below them, body filling the lower half of the frame, the complete second outfit (@Image3) clearly visible from the shoes to the head. The giant is gone from the frame. The only movement is the hero's hair in the wind and one slow blink.
The clothes change exactly once, and only inside the closed hand between 5.2s and 6.2s. From 0s to 5.2s the hero wears the first outfit (@Image2) in every single frame, complete and unchanged. From 6.2s to 10s it wears the second outfit (@Image3) in every single frame, complete and unchanged. There is no morph, no dissolve, no blending of the two, no garment from the first outfit surviving into the second, and no visible transition of any kind — the change is entirely hidden by the closed hand.
The hero is fully dressed in every frame of the video. There is no moment of undress and no bare skin beyond the face, neck and hands.
The hero's face and hair are exactly those of @Image1 and never change. Only the clothing changes.
The hero's real size never changes. It is an ordinary adult on an ordinary road from first frame to last, in correct proportion to the road, the markings, the lamp posts and the parked cars. It looks tiny only between 4.1s and 6.8s, and only because it has been carried far away from the lens up to the giant's face — it never shrinks and never grows. When it is set back down it fills the frame exactly as it did in the first second, standing in the same place at the same distance from the camera, with the same narrow strip of asphalt below its shoes.
The giant is one correctly built human body, kneeling and leaning, cropped by the frame. Never a disembodied hand, never a head sitting on a wrist or sleeve, never a shapeless mass. Its clothing stays clothing on a real limb, with the shoulder and elbow readable inside it.
The giant's nails are a neat nude manicure: short to medium length, natural pink-beige tone, clean rounded edges, a soft natural sheen, all ten the same. No colour, no French tips, no nail art, no decoration, no length extensions, no chips and no ragged edges. The giant's hand is the largest thing in the shot for half the video and its nails are clearly visible, so keep them tidy and identical in every frame. The ordinary-size hero has exactly the same nails.
Five fingers on every hand, correct human hand anatomy, correct nail shape and placement. Exactly two people in the video, no passers-by. Natural overcast light, natural colour, normal speed, no cuts, no text, no captions, no watermarks.