Главный в белом костюме и братва на ступенях (90-е).

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WHITE SUIT / 90s CRIME BOSS + SYNC DANCE — 5 REF VERSION
Seedance 2.5, one continuous take, 15s

PUBLISHED TEMPLATE
  Title: Главный в белом костюме и братва на ступенях (90-е)
  Link:  (не опубликован)
  Card:  "НУЖНО 5 ФОТО"
  Cover stopframe: 0:11 (пик наклона, головы запрокинуты, герой неподвижен)

ЧТО ПРИЛОЖИТЬ
  1. @Image1 — фото лица главного героя (портрет). Лучше загружать коллаж
     лица с разных ракурсов — так генерация чётче, для сборки есть
     отдельный шаблон.
  2. @Image2 — фото лица того, кто стоит справа от героя.
  3. @Image3 — фото лица того, кто стоит слева от героя.
  4. @Image4 — фото лица того, кто стоит за правым плечом героя.
  5. @Image5 — фото машины целиком, лучше три четверти спереди.

Построение и проход собраны покадрово по референс-видео (21с, вертикаль).
Версия на 1 фото без танца: seedance_template_white_suit_authority.txt
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@Image1 — the HERO, centre of frame. Identity lock: preserve this person's face, facial structure, skin tone, hair colour, hairline and hair length exactly. Do not beautify, do not restyle, do not age.
@Image2 — the man at the hero's RIGHT shoulder, one step below him, black blazer worn open over a black turtleneck, one thick gold chain. Identity lock: preserve this person's face exactly.
@Image3 — the man at the hero's LEFT shoulder, one step below him, black blazer buttoned once, black shirt open at the collar, two thinner gold chains. Identity lock: preserve this person's face exactly.
@Image4 — the man BEHIND the hero's right shoulder, one step above @Image2, black blazer worn open over a black shirt, one thin gold chain, tallest of the three. Identity lock: preserve this person's face exactly.
@Image5 — the CAR parked in the right foreground. This image is the absolute source of truth for the vehicle: reproduce its exact model, body shape, proportions, grille, headlights, bumpers, mirrors, wheels, trim and paint colour. Do not redesign it, do not restyle it to another era, do not change its colour, do not add badges or spoilers. Only the lighting and the wet reflections adapt to the scene.
REFERENCE DISCIPLINE: each reference face appears exactly once in the video and stays in its assigned position for the whole take, including through the dance. Never blend two references into one person. Never copy a reference face onto anyone in the background crowd. Exactly one car in frame, the one from @Image5. If a face cannot be held at a given distance, keep it neutral and generic rather than swapping it for another reference.

Vertical 9:16, 15 seconds, 24 fps, one continuous take, no cuts. Photoreal Eastern European crime drama, 35mm full-frame look, slightly long lens, shallow depth of field on the close shot, restrained handheld micro-shake, no camera flips.

HERO: the person from @Image1 in a cream-white double-breasted suit — boxy 1990s cut, wide shoulders, gold buttons, straight loose trousers — over a plain black open-collar shirt, black leather shoes. Hair combed back flat. Calm, blank, unsmiling, chin level. He never speaks and never laughs. He moves with purpose — a brisk, decisive walk, no hesitation, no pauses on the steps.

THE THREE: the men from @Image2, @Image3 and @Image4 are dressed in the same code as the crowd — black blazers, black turtlenecks or black shirts, gold chains at the neck, dark trousers, black shoes. They are not distinguished by clothing, only by their fixed positions around the hero. Same blank stare into the lens, arms down, no gestures, no talking.

THE CROWD: about twenty more men of the same era — black blazers, black leather jackets, long black wool coats, black turtlenecks, dark suits, one man in a dark navy track-style sweatshirt with contrast chest stripes, gold chains at the neck, close-cropped or shoulder-length hair, plain unremarkable faces. They are generic period archetypes, invented people. Blank stare into the lens, arms hanging straight down, no gestures, no talking.

CROWD BEHAVIOUR DURING THE WALK: they are effectively statues. Nobody walks, nobody turns to watch him, nobody opens a corridor. As the hero reaches each man, that man shifts exactly half a step sideways — one foot, a few centimetres, shoulders squaring again immediately — and steps back into place the moment the hero has passed. Eyes never leave the lens. The overall shape of the group barely changes; only a small local ripple of half-steps travels up the steps with him.

FORMATION (locked from 7.0s onward, symmetrical around the hero):
- Bottom step, closest to camera, four men shoulder to shoulder in a straight line: one in a long black wool coat at far left, one in a black double-breasted suit beside him, one in a black leather jacket over a black turtleneck, one in the dark navy track sweatshirt with a gold chain at far right. Their heads reach the lower third of frame, faces sharp.
- Middle steps, a second and third staggered rank of men in black leather jackets and dark coats, heads visible in the gaps of the rank in front, no one fully hidden.
- Top step, inside the porch doorway, the HERO alone in white, centred in frame, the only bright figure, standing one full head-height above the front rank.
- @Image2 at his right, @Image3 at his left, both one step below him; @Image4 one step above @Image2, behind the hero's right shoulder.
- The bonnet and near headlight of the car from @Image5 occupy the bottom right corner of frame throughout.
Everyone faces camera square-on. Nobody looks at anybody else. Nobody moves out of position at any point.

ENVIRONMENT: courtyard of a grey Soviet panel apartment block, late overcast winter afternoon. Concrete porch with a wide flight of worn steps and a cantilevered canopy, chipped plaster walls, dirty windows, laundry on a balcony above, bare black trees at the edge of frame, cracked wet asphalt with puddles, a low metal fence. The car from @Image5 is parked nose-in toward the porch at the right foreground, stationary, engine off, empty, its wet bodywork reflecting the grey sky. Flat diffuse grey light, no sun, no hard shadows. Cold desaturated palette — grey concrete, black leather, wet asphalt; the white suit is the only bright value in frame.

DANCE (from 8.5s, every man in black, in perfect unison):
Feet planted flat, stance shoulder-width, hips and legs completely still. Only the upper body moves: the torso rolls continuously in a wide circular cone from the waist, all of them clockwise together — lean forward and down, then around to the right, then back with the chest opening and the head tipping fully back to face the sky, then around to the left and forward again. One full rotation every 1.7 seconds, even and unhurried, no acceleration. Arms hang heavy at the sides and swing only passively with the torso, never lifted, never gesturing. Faces stay blank and mouths closed throughout; heads return to the lens at the front of every rotation. Every man is on the same beat and the same phase of the circle — no stragglers, no one out of sync, no individual flourishes.
THE HERO DOES NOT DANCE. He stands perfectly still in the centre, feet together, arms down, staring into the lens for the whole sequence while everyone around him rolls. This contrast is the point of the shot.

BEATS:
0.0-1.5s — tight shot, hero's head and shoulders in profile against the blurred wall of men behind him. He lowers his eyes, then turns his head away from camera.
1.5-3.0s — camera drops behind him to a back shot at shoulder height. The three men from @Image2, @Image3 and @Image4 are the closest figures to camera, faces large, sharp and fully lit. Hold long enough to read all three faces.
3.0-5.5s — he walks away from camera and straight up the steps at a brisk, unhesitating pace, threading the narrow gaps between the standing men, each of whom gives him half a step and closes again behind him. Camera dollies backward to keep him framed.
5.5-7.0s — continuous pull-back and slight rise: the car's bonnet enters the bottom right of frame, the full width of the porch and the block's facade come into view, the hero arriving at the top step.
7.0-8.5s — he stops in the doorway, turns to face camera and stands still. The whole group locks into the FORMATION above and holds it dead still for a full beat. Camera settles into a static wide frame and does not move again.
8.5-13.8s — the dance begins on one beat, everyone at once, and runs for three full rotations exactly as described in DANCE. Camera stays locked off. The hero never moves.
13.8-15.0s — the group comes out of the roll upright, snaps back to the locked formation, arms down, all eyes into the lens, and freezes. Final static frame.

AUDIO: no dialogue, no music, no subtitles. Ambient only — wind in the courtyard, shoes shifting on wet concrete, fabric and leather rustle in time with the rolling bodies, distant traffic, a dog barking far off.

ANATOMY LOCK: exactly five fingers on each hand, correct thumb placement, hands relaxed at the sides. Head size approximately 1/7-1/8 of total body height, never oversized or doll-like relative to shoulders and torso. Natural adult body proportions for everyone in frame — no narrowed or cinched waists, no elongated limbs. Two arms, two legs, one head per person; faces stay intact and human at every distance, no melted or duplicated faces. During the dance the spine bends within a normal human range only — no rubbery or boneless torsos, no head rotating past the shoulders, no necks stretching, no feet sliding or lifting off the ground, no one colliding with or passing through a neighbour, spacing between men constant.

NEGATIVE: no text, no logos, no watermarks, no subtitles, no captions. No duplicated reference faces, no blended reference faces, no reference face repeated in the background crowd, no swapping of the three around the hero. Do not change the car's model, shape or colour, no second car in frame, the car never moves and nobody gets in or out of it. No speech, no lip movement, no smiling, no laughing, no waving, no clapping, no arm choreography, no stepping or footwork during the dance, no jumping, no spinning. The crowd never walks or parts; the hero never dances and never moves during the dance. No weapons, no blood, no violence. No cartoon, 3D-render or plastic CGI look, no beauty retouching of any reference face. No sunlight, no blue sky, no saturated or teal-orange grading. No smartphones, no modern clothing. No cuts, no whip pans, no camera flips, no slow-motion, no speed ramps.