Открыть промт целиком · 5 644 символов
References
— identity only: exact face, skin tone, and hair exactly as shown (same color, length, texture, styling). No beautifying, no restyling of face or hair, no elongating or stretching the head or face. Body build may be stylized taller and slimmer — only the build, never the face or hair.
@image1 - tennis ball reference. Reproduce exactly: same color, felt texture, seams and any printed branding. Don't redesign it.
Wardrobe & setting
A white sleeveless tennis dress with a collared polo neckline, twin green stripes along the collar and armholes, fitted bodice with vertical seaming, drop-waist pleated skirt with a wide green stripe band near the hem. White leather tennis shoes, slim wristwatch.
Location: a private outdoor tennis clay court in a pine forest — terracotta-orange crushed-clay surface with crisp white lines, the net strung across the middle of the court, tall dark green windscreen banners on the perimeter fencing, a white metal umpire's chair with a red seat cushion, a white patio umbrella and green benches at the side. Tall slender pine and birch trunks rise directly behind the fencing, dense forest canopy above, floodlight poles at the corners. No crowd, no other players.
Core scene
She serves once. The camera opens on her waist-up, pulls back during the ball toss, and at the exact instant the racket strikes the ball the footage ramps into slow motion. From that instant the camera abandons her and flies alongside the ball in tight close-up as the ball spins upward, passes above the top of the net with clear air between the ball and the net cord, and drops onto the far side of the court. The ball flying over the net must be clearly visible on screen - the net itself enters frame beneath the ball as it passes over. Only the playback speed slows — the ball's arc, gravity and spin stay physically real throughout.
Global setup/style
Photorealistic. Soft natural daylight filtered through the surrounding pines — gentle dappled light across the clay, no harsh sun flare, warm terracotta tones against deep forest green. Natural film grain, macro-level detail on the ball's felt and seams during the close-up tracking. No on-screen text, no logos, no watermark, no readable lettering on the windscreen banners.
Timeline
0:00–0:01 — Normal speed. Waist-up shot at eye level, face and hair clearly matching, calm and focused, breathing, already settled in her pre-serve stance. Green windscreens and blurred pine forest behind her.
0:01–0:02 — Normal speed. She tosses the ball upward; as it rises the camera pulls back smoothly to a full view of her body coiling into the serve, racket drawing back, hair shifting with the motion. The net is visible ahead of her across the court.
0:02 — Racket contact. This is the ramp point.
0:02–0:04 — Slow motion. The camera rushes in to the ball and holds it large and centered in frame, felt fibers and seams sharply resolved as it spins. The ball rises and flies over the net: the white net cord and dark netting sweep through the lower part of the frame beneath the ball, with clear visible air between them, so the moment of crossing the net reads unmistakably on screen. Green windscreens and pine trunks streak past heavily blurred.
0:04–0:06 — Slow motion continues in tight close-up as the ball, now on the far side of the net, descends and lands on the clay inside the far service box — felt visibly deforming on impact, kicking up a small puff of orange clay dust.
Sound
<sharp thwack of racket strings at 0:02>
<low, stretched, pitched-down whoosh during the slow-motion flight>
<faint birdsong and light breeze through the pine canopy>
<muted bounce on the clay on the far side of the net, with a light scatter of dust>
No music, no dialogue, no voiceover.
Physics/continuity lock
Face and hair match exactly - facial proportions natural, no stretching, no invented features. Framing on her is never tighter than waist-up and never an extreme close-up of her face; this applies only to her — the camera does film the ball in close-up once genuine slow motion begins.
The ball must complete a successful serve within the clip and its flight over the net must be shown on screen: it rises, passes above the net cord with a clear visible gap between ball and net, crosses to the far half of the court, and bounces there before the video ends. The net must be visible in frame at the moment the ball passes over it. The ball never hits the net, never lands on her own side, never sails past the court boundaries or into the windscreen banners, and the crossing of the net is never cut away from or hidden behind blur.
The only camera move before the strike is the pull-back during the toss — no panning after her body, no circling, no shake. After the ramp point the camera tracks the ball exclusively and never returns to her.
Her hand and grip are anatomically correct — five fingers, natural grip. She is never frozen within a shot — continuous small natural motion throughout. The outdoor clay court setting stays consistent, with no indoor elements appearing anywhere. No extra people, no other players, no crowd, no logos, no readable text on the banners, no watermarks, no on-screen text, no duplicated character.
Style lock
Serene private forest clay-court aesthetic — warm terracotta surface against deep green windscreens and tall pines, soft dappled natural light, crisp white-and-green dress. Cut like a high-end sports commercial: a composed waist-up opening widening into a controlled real-time serve, then an intimate slow-motion close-up flying alongside the spinning ball as it passes over the net and lands on the far side.