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@Image1 — Identity only: face, skin tone, and hair are exactly as shown (same color, length, texture, and style). Appearance as pictured, head proportions are human. The body itself is that of a tennis player.
@Image2 — Tennis ball. Reproduce exactly: same color, felt texture, seams, and any printed logo.
Wardrobe and furnishings
A white, sleeveless tennis dress with a polo collar, two green stripes along the collar and armholes, a fitted bodice with vertical seams, a pleated, dropped-waist skirt, and a wide green stripe at the hem. White leather tennis shoes, a thin wristwatch. Hair is the same as in @Image1.
The setting: a large, windowless indoor tennis dome—a high, arched ceiling of white fabric with stiffeners and a central silver ventilation duct, rows of bright industrial overhead lights along both slopes, a blue hard court surface with crisp white lines, bright green trim, and a dark green net separating it from the adjacent courts. Blurred neighboring courts and players in the distance are visible behind the partitions. There are no spectators on her court.
Key Scene:
She serves once. The camera opens to the waist, pulls back as the ball is tossed, and at the precise moment the racket hits the ball, the footage slows down. From that moment, the camera moves away from her and flies close-up alongside the ball as it spins over the net and falls to the far side of the court. Only the playback speed slows down—the ball's trajectory, gravity, and spin remain physically realistic throughout the video.
General Setup/Style:
Photorealistic. Bright, uniform artificial overhead lighting typical of an indoor dome—neutral, cool white, no daylight, no window light. Natural film grain, close-up macro shots of the ball's felt and seams. Vertical distance 9:16, total duration 6 seconds. No on-screen text, logos, or watermarks.
Timeline
0:00–0:01 — Normal speed. Waist-up shot at eye level, face and hair closely match @Image1, calm and focused, breathing, already in her service stance. Dividing curtains and blurred courts behind her.
0:01–0:02 — Normal speed. She tosses the ball up; As she rises, the camera smoothly pulls back, revealing her body preparing to serve, her racket drawn back, her hair flowing in time with the movement, and the arched ceiling appearing above her head.
0:02 — Racket contact with the ball. This is the point of ascent.
0:02–0:04 — Slow motion. The camera zooms in on the ball, keeping it in the center of the frame. The felt fibers and seams are clearly visible. The ball spins, rises, and flies clearly over the net with a visible gap, while the background is heavily blurred.
0:04–0:06 — Slow motion continues with a close-up as the ball descends and lands on the blue court on the opposite side of the net, in the far service area—the felt visibly deforms upon impact, a sharp, clean bounce.
Sound
<sharp crack of racket strings at 0:02>
<low, drawn-out, reduced whistle during slow motion>
<faint, muted dome reverb, distant, muffled sounds from other courts>
<sharp bounce on the hard court at the far side of the net>
No music, no dialogue, no voiceover.
Physics/Continuity Lock
The face and hair match @Image1 perfectly—the facial proportions are natural. The framing is never tight, just up to her waist, and never an extreme close-up of her face; this applies only to her—the camera zooms in on the ball when the true slow motion begins.
The ball must successfully complete the serve within the video: fly over the net with daylight visible below, cross the far half of the court, and bounce there before the end of the video. It never hits the net, never lands on the net's side, never flies out of bounds or into the dividing walls.
The only camera movement before the shot is the backswing of her arm as she tosses it—no panning behind her body, no circling, no shaking. After the bounce, the camera follows the ball exclusively and never returns to it.
Her hand and grip are anatomically correct—five fingers, a natural grip. She never freezes in the frame—continuous, small, natural movement throughout the entire video. The dome's composition remains unchanged, without windows or natural light. No extra people on the court, no logos, no watermarks, no on-screen text, no duplicate symbols.
Style lock
Clean modern indoor sports-dome aesthetic — arched white ceiling, even bright lighting, blue-and-green court, crisp white-and-green dress, quiet focus. Cut like a high-end sports commercial: a composed waist-up opening widening into a controlled real-time serve, then an intimate slow-motion close-up flying alongside the spinning ball as it crosses the net and lands.