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Домашний питомец превращается в дикого предка при лунном свете.

Seedanceвидео

Что приложить

  1. @Image1 = фото лица (портрет). Лучше загружать коллаж лица с разных ракурсов — так генерация чётче, для сборки есть отдельный шаблон.
  2. @Image2 — животное

Промт

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References
@Image1 — face and hair reference for the hero. The hero's face is the face in @Image1 — the same person. @Image1 is the complete and only source of the hero's facial identity and hair: copy the face exactly as that image shows it, and copy the hair exactly as it is worn there — the same style, the same length, the same cut, the same parting, the same colour, the same texture, and the same way it is worn, loose or tied or braided or pinned, staying that way for the whole video. Keep natural human proportions: head about 1/7-1/8 of full body height, normal shoulders and waist. Take only the face and the hair from this image; the clothing, the background, the pose and the framing come from this prompt.
@Image2 — the animal. This is the hero's pet and the single creature of this video. @Image2 is the absolute source of truth for it and the complete source of its appearance: the same species, the same breed, the same coat colour and length and texture, the same markings in the same places, the same ears, the same muzzle, the same eye colour, the same build, the same tail. Copy it one to one and keep it recognisably this exact animal in both of its forms and at every size. Read every detail off the image itself.

The wild form
At one moment in this video the animal from @Image2 takes the form of the wild ancestor of its own species, and later returns to its everyday self. The wild form is chosen by what @Image2 actually is: a dog becomes a wolf, a cat becomes a big cat of the panther and lynx kind, and any other pet becomes the wild animal its own species descends from. The wild form is a real, photoreal wild animal of that kind, standing about waist-high to a standing adult — larger and heavier than the pet, powerfully built, with long legs and a deep chest.
The wild form carries the pet's own coat: the same colour, the same length and texture of fur, the same markings in the same places and the same proportions on the body, the same ears and the same eye colour as @Image2. Every white sock, every patch on the chest, every stripe or spot of the pet appears on the wild animal in the same place, scaled up with it. Anyone who knows this pet recognises it instantly in the wild form. The wild form is the same individual creature, wearing a bigger and older body.

Core scene
An ordinary living room at night, the sofa standing right beside a tall window with the curtains drawn open. The hero lies stretched out on the sofa with the pet from @Image2 curled up on the cushions alongside, both of them looking out at the night sky. Outside, a cloud slides off the moon — and a band of cool blue-white moonlight falls across the floorboards in front of the sofa. The pet's head snaps up, it springs off the sofa in one movement and runs into the middle of the light, and there, standing in the beam, it grows smoothly and continuously into its wild form. The hero sits up, calm, and holds out an open hand; the wild animal steps over and pushes its muzzle into the palm, exactly the way the small pet does it. Then the hero reaches up to the curtain beside the sofa and draws it closed. The moonlight is cut off the floor, and in the warm lamplight the wild animal shrinks smoothly back into the ordinary pet, which jumps up onto the sofa and curls back into the same spot on the cushions beside the hero.

Wardrobe & setting
The hero: soft home clothes — loose wide-legged grey sweatpants, cut roomy through the leg with a soft elasticated waistband and the fabric falling in easy folds, worn with a plain black long-sleeve cotton top that sits close to the body, the sleeves reaching the wrists. Barefoot. Both pieces are plain single-colour fabric with a smooth clear surface. The head, the face and the hands stay bare and clear. The hair is exactly the hair from @Image1, worn exactly as it is worn there.
The room: an ordinary lived-in living room at night. A low sofa with cushions standing right beside a tall window, a wooden coffee table, a large soft rug, a floor lamp glowing warm in the corner, a bookshelf, a television dark on standby. Heavy floor-length curtains hang at the window, drawn wide open at the start and within easy arm's reach of the sofa. Through the glass, city night and a sky with slow cloud. When the moon clears the cloud it throws one hard bright band of cool blue-white light across the floorboards in front of the sofa, with its edges clearly drawn on the floor. The rest of the room stays in warm low lamplight, so the band of moonlight reads as a distinct cool stripe inside a warm room.

Camera language
The video is a cut sequence of five different angles, exactly like a real edited clip: a medium shot along the sofa, a wider shot taking in the sofa and the floor in front of it, a wide static side shot across the whole room, a medium shot at sofa height for the hand, and a final shot on the sofa and the window. Straight cuts only. Every shot is handheld-steady and photoreal, lit by the warm lamp and the cool moonlight in the room, shallow-ish depth of field on the close shots, natural colour.
The transformation and its reversal both happen inside locked, unmoving frames, with the hero and the animal fully visible. The camera holds still through both, so each change is seen plainly and reads as something that really happened in the room.

Timeline (total 10 seconds, five shots)

0:00-0:02 — Medium shot along the sofa in the warm lamplight. The hero lies stretched out on the cushions, head propped on one arm, and the pet from @Image2 curled up on the cushions alongside, level with the hero's hip, at its true ordinary size. It lies in its own clear shape against the fabric, fully visible from nose to tail, with one of the hero's hands resting loosely on its back. Both of them are turned towards the tall window beside the sofa, quietly watching the night sky. The curtains hang wide open. Outside the glass a cloud still covers the moon, and the floorboards in front of the sofa lie in warm lamplight with the window dark.

0:02-0:04 — Cut to a wider shot taking in the sofa and the open floor in front of it. Outside the window the cloud slides off the moon, and a band of hard, cool blue-white light sweeps onto the floorboards and brightens until its edges are sharp on the wood. The pet's head snaps up, ears going forward, eyes locking onto the light. It comes off the sofa in one quick spring, lands on the floor and runs the few steps straight into the middle of the beam, where it stops and stands in the light. The hero pushes up onto one elbow on the sofa, watching it go.

0:04-0:06.5 — Cut to a wide static side shot at chest height, the whole room across the frame, the camera locked and motionless. The pet stands in the middle of the band of moonlight, and there it changes, smoothly and continuously, growing on the spot: the legs lengthen and thicken, the chest deepens, the shoulders rise and broaden, the head and muzzle grow heavier, the coat thickens — the markings of @Image2 spreading and scaling across the larger body, staying in exactly their own places. It grows up past the height of the sofa arm, then far above it, until it stands tall and heavy in the cool light as the wild form, one single creature the whole way through. The hero sits up on the sofa at the right of the frame, a clearly separate figure with open floor between them, watching with lips parted and eyes wide, calm and steady, staying on the sofa.

0:06.5-0:08 — Cut to a medium shot at sofa height, both in frame. The wild animal turns its head and looks straight at the hero, ears forward, eyes the same colour as the pet's eyes, its expression soft and attentive. The hero sits forward on the edge of the sofa and holds out one open hand, palm up, fingers relaxed, calm and unhurried. The wild animal steps over on quiet feet, lowers its head and pushes its muzzle into the open palm, pressing into it — the same greeting the small pet gives. The hero's other hand comes to rest on the thick fur of its neck.

0:08-0:10 — Cut back to the wide static side shot from the same locked camera position. The hero reaches up to the curtain at the window beside the sofa and draws it across in one smooth pull. The heavy fabric sweeps over the glass and the band of moonlight is wiped off the floorboards, leaving the whole room in warm lamplight. In that warm light the wild animal shrinks, smoothly and continuously, in reverse: the shoulders drop, the chest narrows, the legs shorten and slim, the head lightens, the markings drawing back in and settling into their ordinary places, until it stands on the floor as the ordinary pet from @Image2 at its true real-life size. It trots to the sofa, jumps up and curls back into the same spot on the cushions beside the hero, who rests a hand on its back and looks down at it. Final frame holds on the sofa: the hero lying back with the pet curled on the cushions alongside, exactly where it started, the curtain closed behind them and the room warm and still.

Sound
Quiet night room tone. Distant muffled city outside the window, a car passing far away. The soft breathing of the hero and the pet on the sofa. A low soft swelling rush as the moonlight reaches the floor. Claws scrabbling on cushions and a light thump as the pet lands on the boards, quick small paws running. A deep settling of weight as the animal grows, its breathing dropping lower and heavier. The heavy quiet footfalls of a big animal on wood. A deep slow breath through a large muzzle at the hand. The hero's own breath catching once, then steadying. The dry rush of heavy curtain fabric pulled across a rail. The reverse settling sound as the animal returns, the breathing lifting light again, small paws and a soft landing on the sofa cushions. Ambient room sound only, carried by the room itself.

Physics & continuity lock
One creature rule: the pet and the wild animal are the same single creature and only one of them exists in any frame. Before 0:04 the frame holds the ordinary pet. From 0:04 to 0:09 the animal is growing into, standing in, and settling back out of the wild form. After 0:09 the frame holds the ordinary pet again. At every instant exactly one animal is in the room, and the change from one form to the other happens only as the continuous transformation shown in the timeline. Whichever form is on screen is the whole of the animal life in the room: one body, one set of paws, one shadow.
Identity rule: the wild form carries the coat, colour, texture, markings, ear shape and eye colour of @Image2, in the same places on the body, scaled up. The pet is recognisable as this exact individual in the wild form. Both forms stay this one animal from the first frame to the last.
Trigger rule: the moonlight is what makes the wild form, and it is the only thing that does. The animal takes the wild form while it stands in the band of moonlight, and holds that form for as long as the moonlight lies on the floor. The growth begins the instant the animal comes to a stop inside the beam and completes on the spot, in the light, in a single locked frame. The return is caused by the curtain: the shrinking begins the instant the drawn curtain wipes the band of moonlight off the floorboards, and completes in the warm lamplight. Each change is set off by the light arriving and the light being taken away, on camera, and by those two things alone.
Both transformations are smooth and continuous, growing and shrinking through every intermediate size, with the body staying whole and correctly formed at each moment: four legs throughout, correct joint directions, correct feet, head and body in proportion to each other at every size, fur detail scaling with the animal. The animal stays solid and continuous the whole way through.
Separation rule: while the animal is changing form the hero stays where the timeline places the hero, several full paces away on the other side of the frame, with open floor visible between them. Their bodies stay apart and read as two clearly separate shapes in every frame of both transformations. Both are fully visible in the locked frame throughout, and both stay turned towards each other.
Temperament rule: the wild animal is calm, gentle and affectionate towards the hero for every second it is on screen. It walks at an easy pace, holds its head level, keeps its mouth closed, and greets the hero the way a beloved pet greets its owner. It approaches only at 0:06.5 and only to press its muzzle into the offered hand. The hero is calm and at ease throughout — surprised and wide-eyed at 0:04, then steady, warm and unafraid, standing firm and reaching out by choice. This is a reunion between two who know each other.
The hero moves only as the timeline describes: lying on the sofa, rising onto one elbow, sitting up, sitting forward with a hand held out, reaching up to draw the curtain, and settling back with the pet. The hero stays on the sofa for the whole video and stays inside the room.
The hero's face is exactly the face in @Image1 in every shot, and the hair is exactly the hairstyle in @Image1 — same style, length, cut, parting, colour and texture — in every shot. The hair moves only with the body and the head. The clothing stays the same in every shot: the same loose grey sweatpants and the same plain black long-sleeve top, on bare feet, from the first frame to the last.
The hero is referred to and rendered as one single person and appears exactly once in every frame. Five fingers on each hand, correct hand anatomy, correct bare feet.
Both the hero and the animal are solid and physically present in the room, casting real shadows on the floorboards and the rug in the lamplight and the moonlight. Both stay in the room, in contact with the floor, and pass around the furniture.
The band of moonlight arrives at 0:02 when the cloud clears the moon, then holds exactly where it is on the floor — the same shape, the same size, the same brightness and the same cool colour, its edges holding still — for as long as the curtains stay open. It leaves the floor at 0:08 as the drawn curtain covers the glass. It is ordinary moonlight through a window: it lies flat on the floor and keeps its plain natural look, and the curtain blocks it the way heavy fabric blocks light.
Lighting and continuity across the cuts are absolute: the same hero, the same face, the same hairstyle, the same clothes, the same animal, the same room, the same warm lamp and the same cool moonlight in every shot. Cuts change the camera angle only.
The hero stays silent for the whole video, lips closed or softly parted and the mouth still throughout.
Everything runs at normal speed, photoreal, in natural colour, with straight cuts only: plain natural lighting from the lamp and the moon, an ordinary lens, and one clean continuous look from the first frame to the last.
The room holds only the hero and the one animal. The frame stays clean live-action photography edge to edge, carrying picture only.

Style lock
An ordinary living room on an ordinary night, filmed plainly and cut like real footage, with one impossible thing walking through the middle of it and ending exactly where it began. The pet you know, wearing the body it came from, coming back to your hand as itself.

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